Mantilla's collaborative works, often with Raimond Chaves, explore cultural memory and social dynamics.

Saraceno's installations and sculptures explore the intersection of art, science, and technology, creating immersive, utopian environments.

Vasquez de la Horra's drawings explore themes of memory, fantasy, and the subconscious, creating intricate, dreamlike compositions.

Herrera's collages and sculptures explore the interplay between abstraction and representation, creating fragmented, dreamlike compositions.

Garrido-Lecca's installations and sculptures explore themes of colonialism, cultural memory, and the environment, using found materials and historical references.

Rosenfeld's interventions in public spaces challenge social and political norms. Her iconic 'A Mile of Crosses on the Pavement' series disrupts urban landscapes, provoking reflection on societal issues.

Rojas's work confronts social and political issues in Colombia. His drawings, photographs, and installations often address themes of violence, power, and sexuality.

Downey's video installations and performances explored the relationship between technology, consciousness, and cultural identity. His work, often incorporating cybernetic principles, challenged conventional notions of perception.

Perna's photographs and experimental films explored the landscape and culture of Venezuela. His work, often infused with a sense of poetic observation, captured the beauty and complexity of his country.

Leppe's performance art and installations explored themes of identity, sexuality, and power in Chile. His provocative work challenged social and political norms, often employing his own body as a site of artistic exploration.