Glantz's paintings, characterized by their lush colors and dreamlike imagery, explore themes of memory, desire, and the uncanny. Her works evoke a sense of psychological depth and emotional resonance.

Muller's eclectic paintings and installations, often incorporating music and pop culture references, explore the social and cultural significance of collecting and archiving. His work is a vibrant tapestry of influences.

Hill's meticulously rendered drawings and paintings, often depicting architectural spaces and urban landscapes, explore the interplay between representation and abstraction. His work is marked by a sense of quiet precision.

Oppenheim's photographic and filmic works, often employing historical processes and found footage, explore the relationship between technology, memory, and representation. Her work is marked by a sense of conceptual rigor.

Keogh's paintings, characterized by their intricate compositions and surreal imagery, explore themes of femininity, power, and representation. Her work is marked by a sense of psychological depth.

Ross-Ho's sculptures and installations, often incorporating oversized objects and architectural elements, explore themes of scale, perception, and the everyday. Her work is marked by a sense of playful subversion.

Silva's paintings, characterized by their vibrant colors and abstract forms, explore the interplay between gesture, color, and space. His work is marked by a sense of spontaneous energy.

VanDerBeek's photographic and sculptural works explore the interplay between architecture, memory, and the history of photography. Her practice engages with the materiality of images and the poetics of space.

Lynch's intimate paintings, often depicting urban landscapes and figures, capture the fleeting moments of everyday life. His work is marked by a sense of quiet observation and emotional resonance.

González's photography captures the urban landscape of Havana, exploring themes of identity and social dynamics.