Sirbiladze's paintings, characterized by their bold colors and expressive brushwork, explore themes of emotion, memory, and the human condition. Her work is marked by a sense of raw energy and emotional intensity.

Bueno-Boutellier's installations, characterized by their ephemeral and site-specific nature, engage with the poetics of space and the materiality of light. Her work invites viewers to reconsider their relationship with their surroundings.

Miletić's textile works and photographs, characterized by their meticulous craftsmanship and social engagement, explore themes of community, labor, and the politics of representation. Her practice is rooted in collaborative processes.

Allen's canvases, marked by vibrant hues and abstract forms, explore the dynamic interplay between color and space. His works engage with the legacy of modernist painting, pushing its boundaries.

Barker's sculptures and installations, composed of delicate metal structures and painted elements, explore the interplay between space, form, and memory. Her work evokes a sense of fragility and quiet introspection.

Davies's paintings, characterized by their playful appropriation of art historical styles and genres, offer a witty commentary on the nature of artistic production. His works are both humorous and insightful.

Freije's sculptures and installations, composed of industrial materials and found objects, explore the relationship between architecture, technology, and the human body. Her works are both visceral and cerebral.

Lavender's sculptures and installations, often incorporating found objects and DIY aesthetics, explore themes of consumerism, nostalgia, and the everyday. His work is marked by a sense of playful improvisation.

Windett's paintings, characterized by their vibrant colors and abstract forms, explore the interplay between gesture, color, and space. His work is marked by a sense of spontaneous energy.

Black's multidisciplinary work, encompassing video, performance, and writing, explores themes of race, technology, and the body. Her practice critiques power structures and dominant narratives.